How’s about a brand new mix of fresh Jungle & DnB blended to perfection by Vinyl Junkie? If you love your Jungle you’re in for a diverse selection of dubplate damagers on this first class mix. We’ll stop harping on, the music speaks for itself, hit play and hit the share button and let your friends know about this one!!!
Archive for the ‘Mixes’ Category
We would like to say a very special thanks to Beatservice for letting us host the exclusive first play stream of ‘Monica’ from Elektrofant’s ‘1992’ LP. We previously reviewed this excellent LP here suffice to say that it perfectly captures the spirit of one of the best years of dance music ever.
‘Monica’ is a prime example of what’s to love about this album. Prepare to be taken back to the era of groups and artists like Altern 8, SL2 & Inner City, Take in the rolling soundtrack of Detroit Techno synths and raw UK style breakbeats interspersed with Todd Terry circa 92′ 4×4 kicks and 303 acid stabs. Be sure to check out the rest of the LP too, get it from Beatport, Traxsource, iTunes & Spotify
We are very pleased to share an exclusive interview with Gorilla Complex and a premiere stream of his awesome new track ‘Welcome To The Bass Jungle’, read on to learn more about his animalistic style of bass music….
Tell me a little about Gorilla Complex?
Gorilla Complex is a well thought out project. The dance floor has always seemed like an animalistic place to me, and as I wanted to create heavy bass music, a gorilla seemed to fit with the big, strong nature of the sound.
All my tracks contain elements based around this animalistic theme. The slightly dark and evil tone is consistent throughout and the animal theme is also represented in the artwork and track names. I call it ‘Animalistic Bass Music’.
How would you describe your production style?
I barely use synths now. Over the years, I have built up a big sample library. I mess with audio FX and automate pretty much every parameter until it sounds interesting. I also record all my own vocals and re-pitch them with Melodyne. After every tune,
I add the new sounds to my sample library to re-use in the future. So it’s an ever-growing palette to work from. I’ve played guitar for years, which helps with the melodies and chord structures as well.
Who were your major influences in terms of music production?
Noisia are probably the artist that I aspire to the most. The Prodigy are up there as well. These guys are legends, innovators and unique in many ways. You don’t get many artists with their credibility and longevity.
What does the future hold for you?
I don’t want to conform to a genre, but the next 3 or 4 releases are all Bass House. I am also working on a few Trap and Drum & Bass tunes with some great vocalists as well.
I want to create some crazy animal themed live shows as well at some point. Imagine a nightclub with everyone dressed up as animals. Could get some inflatable bananas to throw out into the crowd as well!
If you could work on a track with anyone from now or way back when, who would it be?
Loads of people come to mind. Maybe Sampha or Yukimi Nagano, the singer from Little Dragon. These two have such interesting voices and so much character. I think we could make something really unique. Or Foreign Beggars because those guys always deliver.
And if you could remix any tune of your choice, which one would you choose and why?
Jungle book or Lion King – I would do it but it wouldn’t stay on Soundcloud for long with their tight copyright laws, unfortunately.
Are there any unfulfilled goals or aspirations of yours musically?
I’m also hoping to release on Black Butter or MTA records in the future and I’m hoping to get some support from UKF. I’m a big fan of theirs so hopefully, I can make this happen.
Could you offer a bit of advice for an up and coming producer?
Define your style, your purpose and find a way to be unique. And also make sure you can summarise yourself in one sentence. Easier said than done, but if you can do this, you are on the right track.
Any final words?
Welcome to the bass jungle!
Listen to the premiere stream of ‘Welcome To The Bass Jungle’ below and download the track for free Here
The Planet Rave Podcast Summer Special on Mixcloud features a selection of Deep/Tech House, Techno, and UK Garage old and new. Some of the artists included are Lee Pearce, Skeleton Army, Wayne Dudley, and a track by Phil Maher out soon on charity album ‘Help Ben Walk Without Pain’. More info on that charity LP can be found here.
There’s even some seminal oldskool rave from way back when tucked away in there, can you spot the track? If you like the show give this post a share.
The Freestylers revisit their Jungle roots with this fiyah mixtape!!!
DJ Rap & Aston – Get Rushed
Mystical Influence Ft. MC GQ – Dubplate Pressure
Lemon D – This Is LA
Remarc – R.I.P
Conquering Lion – Code Red
Marvellous Caine – Hitman
The Dream Team – Stamina
Splash – Babylon
M-Beat Ft. General Levy – Incredible
Aphrodite – Woman That Rolls
J-Majik – Your Sound
Renegade – Terrorist
Amazon II – Music’s Hypnotising
Doc Scott – The Unofficial Ghost
Freestylers Ft. RDX – Rude Bwoy (Aphrodite Remix)
Wickaman – The War Cry
RDX – Pull Up Selecta (Freestylers Remix)
Origin Unknown – Valley Of The Shadows
Ray Keith – Phizical (Moody Mix)
Origin Unknown – Lunar Bass (Commix Remix)
Zinc – Ready Or Not (2003 Remix)
Run Tingz Cru Ft. Blackout J.A – Jungle Champion (J.Man Remix)
Jungle Cakes – Pass The Dubplate
Congo Natty – Police In Helicopter
Serial Killaz – Rude Boy Style
Urban Shakedown – Arsonist
Engineers Without Fears – Spiritual Aura (Bladerunner & Saxxon Remix)
Here at the blog, we would like to say a massive thanks to Future Wildstyle and Bass=Win for giving us an exclusive interview with the lads and a premiere stream of ‘Make Them Bounce’ from their new EP ‘Hyper Vibes’ which you can buy here
Tell us a bit about yourself
We are two DJs and producers based in Sheffield .We met on the DJ circuit as we are both primerally DJs. We have both produced tracks in the past but we decided to try something new and join forces for this project. It has been a great way to work as we both bring so many different influences and styles to the table.
How would you describe your production style?
All our tracks come back to some kind of breakbeat or broken beat with a proper bass line. The last few releases have covered quite a range in tempo and that’s how we mean to carry on.
What your first experience of underground music and how did you get into the sound?
I loved the music long before I was old enough to go into the clubs so it was pirate radio and tape packs that supplied my music fix. In the early days a one hour set could include a whole range of beat patterns and influences from hip hop to reggae to soul plus loads more. The contrast today is some DJs play an hour set of about 9-10 records all sounding virtually the same. That’s a trap I never want us to fall into.
What is it about the current wave of dance music that appeals to you?
Popular or mainstream dance music has been through so many styles now from Electro to Hip Hop to House to Breakbeat to Jungle to DnB to Dubstep and Garage and now it seems to have come a full circle and gone back to House.
It feels like artists can now go in any direction musically and draw influences from anywhere along the musical journey. I know there never really was a rule book but if there ever was it really is irrelevant right now. The variety of new music coming out right now is more than ever.
Tell us a few of your all time and current fave producers?
I love people like DJ Premier, Pete Rock and all those guys but I equally love Remarc and 4hero. Those are the stand out producers for me who have a real groove to their music.
Where have you DJ’ed?
We have just started out Djing out as Future Wildstyle it has been really fun as we have both been DJs for years and joining forces means we can add more to our sets. We are currently using the Serato Sp1 to re-create some of the tracks live as part of the DJ set. For most of our tracks we now have a stripped back version that can have the vocals and key elements played from the SP1 over the top. It means DJ sets are even more fun as we can both be hands on throughout rather than taking it in turn to mix in tracks.
We recently warmed up for the first Boiler room in Sheffield. I was really glad we had spent time developing the more live part of our set as Boiler Room is such an intimate space and the camera is right in your face!
Describe to us your approach to a DJ set, do you like to gently warm up the crowd or go for the bangers or more of a journey approach?
Its all about the crowd for us. Every set has to be tailored for the people stood in front of us. I love the challenge of warming up a crowd just as much as playing a peak time set.
Of all the tunes you’ve made, which is your favourite?
Wow that’s a hard one. I think the Ultrafunkula track was exciting to test out on the dance floors as it just worked straight away in the clubs. There really is something special about seeing a thousand people dancing to a track and hearing it on a big club sound system at the height of a night and remembering back to us producing it on a rainy Wednesday afternoon.
How did you link up with Bass=Win?
Easy we just only hit up labels that we were already into and already buying music from.
As a producer, you keep an open mind and an open palette producing in various styles, who do you draw influences from?
Between us we cover years of buying and playing out music so plenty of basses are covered. I really made my DJ career back in the day as Hip Hop DJ but equally I got hooked on music by early Jungle stuff so I think those two styles find their way into the music from my side
What are the vital elements to making a tune that come into play when you’re in the studio?
Its normally a sample or concept that comes first. We start out thinking we are making one type of track and it normally takes a whole new direction and ends up somewhere completely different.
But that’s the fun of producing really.
So before we hit play on this new forthcoming release of yours on Hyper Vibes EP, can you tell us a bit about the inspiration behind it?
We didn’t just want to make an EP of straight up club bangers (although that is always a massive temptation) there are a few samples in here I have been waiting to use for a while and they just fit in perfectly making the tracks more than just dance floor tools.
Free Breaks Blog Premiere Of ‘Make Them Bounce’
Any final words and shout outs?
Bass=Win has been a great home for the last few releases and have been invaluable in us getting our music out to a wider audience. Not forgetting for Liam at Kitchen Artist for getting on board with the project. Also we have to big up all the DJs playing our stuff and promoters adding us to their line ups we have been overwhelmed by the response and support form the scene. Can’t wait to see what the rest of 2016 has in store for us!
Fresh house n’ breaks beats in the mix from Phil Maher plus a guest mix from Lucius Lowe
1. Simplex Motive – “Just Say Hello” (Deephope Remix)
2. Emil Croff – “Jack”
3. JaFunk – “This Love Is For Real”
4. Roger Sanchez – “Morning Prayer”
5. Phil Maher – “Forever”
6. Chloee Braidner – “I’m All In” (Silky Piano Reprise)
7. Erire – “Take Me Away 2008″ (Haji & Emanuel Remix)
8. DJ LAB – “Touch” (Strange Rollers Remix)
9. Dominica – “Gotta Let You Go” (Freestylers Remix)
10. Jay Kay & Phil Maher – “Yeah, Alright”
11. Clear Six Feat. Curtis T Johns – “Sunshine”