Posts Tagged ‘Physmatics’

Future Shock Interview & New LP On Physmatics


Future Shock’s ‘Luminary’ LP is due out this May on the Physmatics label. A preview stream can be heard directly below. We also have the good fortune of being able to present you with a very fine interview with Future Shock. Scroll down to get the lowdown on this talented DnB artist 

Tell us a bit about yourself…

Hi, nice to meet you. I’m Rob aka Future Shock, representing Bounds Green. I’ve been making Drum & Bass for about five years now, and my debut album project, Luminary launches in May.

How did you get into music production? What were the initial steps?

Buying a really terrible Mac. In fact it was one of those old PPCs. We didn’t have a good relationship lol! I bought Logic and made a tune called Haunted Harbour, I think I still have it somewhere? It probably sounds hilarious! It finally ended up with about 112 tracks on there.

How would you describe your production style?

Dancefloor driven, with all d&b styles along for the ride. I love to add a cheeky little film sample or two now & then.

Was there a moment or a tune or a DJ set that made you decide you were going to produce?

It may have been the Bacteria remix (Ed Rush & Optical) or X Ray (Subfocus), but probably a lot of early to mid-noughties stuff. My initial production efforts around then didn’t kick start properly for various reasons and I started knuckling down afresh with Logic in about 2011.

As a producer, you keep an open mind and an open palette producing in various styles, who are your major influences in terms of music production?

The most well known, Pro producers really. It would be a mad list if I had to make one. You can find so many brilliant ideas all over d&b. From the obvious big guns to the silent assassins.

If you could work on a track with anyone from now or way back when, who would it be?

Probably rake in a nice bit of dollar with a Sigma colab…if they’re not available then, bit out of leftfield, but maybe State Of Mind or Current Value. More mainstream wise, maybe Loadstar or Inside Info, he’s killing it right now.

And if you could remix any tune of your choice, which one would you choose and why?

Strangled Duck by Red One. An unexpected suggestion I know! Underrated classic, Red One’s greatest ever tune. Give it a real driving techy update.

Could you offer a bit of advice for an up and coming producer?

Keep projects simple, less is more and you get a bigger sound with less parts, just those parts you do pick have to sound proper clean and dynamic. Build a big sample library. Use a tuner on the master to match up keys of everything, drums, basses, synths and so on. I can’t live without a tuner now, even though the Logic one drives me nuts.

Where have you DJ’ed?

Up and down the country, the best gig I played was probably Ministry a few years back. I had a residency in East London and have run a few of my own nights. I play on two or three times a month.

Describe to us your approach to a DJ set, do you like to gently warm up the crowd or go for the bangers or is it more of a journey approach?

It all depends on the time and venue really, but always pretty fast paced. My radio shows are full throttle from the get-go, I only have 2 hours. Though I’m attempting a 10hr set on April 1st to mark 10 years playing UK Bass Radio, that’s gonna be a massive challenge.

Of all the tunes you’ve made, which is your favourite?

Well that’s a tough one ‘cos I don’t really like any of my own tunes (laughing) ah just you hear them so much you know…Dillinja apparently never liked his stuff back in the day….haha! ok, no seriously, well maybe my first Physmatics tune Our World as it was really wicked to get a tune signed to a label of this standard. Or Rolling For 2016 that Ray Keith was supporting and I got a lot of love for.

How did you link up with John, the founder of the label?

Soundcloud business. I sent him some tunes, he liked them and we had a long chat on the phone about music, Star Wars and conspiracy theories.

What are the vital elements to making a tune that come into play when you’re in the studio?

Catch a vibe and groove, there has to be proper groove you know that bounce, the rhythm. The track has to be making a statement and memorable in some way. Infuse your own consciousness into it.

So before we hit play on The Luminary LP forthcoming May on Physmatics, can you tell us a bit about the inspiration behind it?

I figured it was a natural progression, I’d had a few EP’s out on Physmatics and I always write loads of tunes so it made sense to shoot for a bigger project, and it was all written out very fast, although the tweakage took some time.

Any final words and shout outs?

Cheers to John, and Dean (Dapz) the mastering maestro, to E Lizard Birth and the all-wise and mighty Physmatics family for the support.

Xeropoint- Whats Up / Badman [Physmatics]

Xeropoint- Whats Up & Badman [Physmatics]

These two tracks from XEROPOINT both flex some serious musical muscle!!!! We start with the abrasive synth’s and minimal beats of ‘Whats Up’. A harder and more hedonistic take on the stripped back style of D&B. The approach here is quite the opposite of the deep subs you might be used to. The synths growl and spit venom, often rudely interrupted by hoover riffs and subtle shades of 90s rave.

‘Badman’ sounds like The Predator creeping through the jungle waiting to ambush his prey. Crunchy beats, shards of the amen break. The aluminiferous hole punching bassline on this robust number seethes with computer rage and rudeboy attitude. XEROPOINT  must have been pretty angry when he created these fearsome beasts in the lab. Don’t say we didn’t warn you!!!!

Future Shock- Telepathy/White Russian [Physmatics]



Future Shock presents a fresh portion of his masterful sound design from the forthcoming Album, ‘LUMINARY’ on Physmatics. ‘Telepathy’ aims to send a message direct to your mind via complex neural melodies, dark orchestral stabs and weighty kicks and snares.

‘White Russian’ sets it’s cross hair firmly on the dance floor, before unleashing the motherload of low-end bass, diva vocals and call to action beats. As the lyric says, White Russian ‘makes you feel alright’

Another technological advance in 170BPM warfare from Future Shock & Physmatics!!!
Physmatics 38th release drops Worldwide November 28th 2016

Physmatics Interview + New LP



We catch up with Physmatics and chat about music, life, influences… oh yes and a massive new forthcoming album!! Read on…

Hey John, so the big question is, why get back into production after such a hiatus? Why now?

Well without sounding too bold & egotistical, (that’s just not me). I founded Physmatics in early 2011 after giving up on production. I was at a stage in my life where the technology seemed to be evolving faster than I could keep up with, especially having young children. With that, I bowed out & began the label. Killer is my Debut LP as an artist; almost a decade in the making & the platform is my own. (more…)



Josephs Perception returns to Physmatics with a bag of delightful D&B grooves, Four to be exact collectively entitled the ‘Love & Justice EP’.

We jump on the boogie train for the psychedelic 70s funk fest of ‘Love & Justice’, before stopping in stylish, classic V Recordings style territory on the rollin’ ‘Get Up’. ‘

Roll Up’ combines Hip Hop, Jazz, Techstep and a bit of oldskool Jungle all neatly tied up into a potentially massive crossover riddim.

We arrive at our final destination with ‘So High’, the composite of snarling dark riffs and super mellow deep chords of this closing track bear the hallmarks of musical brilliance.

Superior D&B production from one of the scene’s true talents.
Physmatic’s 36th release drops Worldwide September 12th 2016




Tension building, ultra hi tech action from Future Shock who throws giant sparks on the dancefloor with his third outing on Physmatics, ‘Room to the Future’. You can hear the influences and they are all good ones. Drumsound & Bassline Smith, The Prodigy, old skool rave era music. It’s all in there. The title track opens in John Carpenter style with big haunting synths and the famous Kelly Charles vocal synonymous with dance music as a whole. Things take a surprising twist with a big saxophone riff, an unexpected but incredibly effective hook.

‘Consciousness’ is dreamy and rolls along with elegance, a fusion of subtle filtered pads and stepping beats. The deep driving number on this EP is ‘Sky City’, pure heads down middle of the set dancefloor action.

Finally ‘Rolling For 2016′ takes a large dose of the oldskool reweaving those much loved sounds from way back when into a 2016 dark jungle fabric. A highly flammable pattern of bass n breaks, approach with caution, be ready to dance for your life, the future is now!!! Buy The EP Here

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